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| Secret Teachings and Mysteries Pulaki | ||||||||||
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WOMEN young leaders that are complementary in the story Babad Dwijendratattwa. He was invited and participated in his fathers journey from Java to Bali, around the end of the century to 15. His father is a major figure in the chronicle. He was a pastor who is very understanding Shiwa Buddha. An author of almost every word spoken or written to be a decision for many people, for a long time, that until the next generation. Father of a young woman is truly a pandita wacanapati, or king of the discourse. And the young women of the abiding ayahandanya. As it is more or less description of the relationship between the main characters with figures placable results complement my reading. Because this story has been spread evenly across Bali, to be sure there will be a different reading. Especially because this story has developed, whether written or oral, not only in one version. Appears questions: where and bilamanakah a young female figure became the object of the main figures? The answer is one word, namely Pulaki. Pulaki is what? Heres one of the newspapers before the arrival of Pulaki leaders and major figures complement it. Pulaki is a hilly forest area of coral reefs in the north west coast. Pulaki is one area that appeared to be inhabited and visited by human-human nature has been since even before the time of any posts (prehistoric) according to archaeological resources. Pulaki is one area that captivate the mind and the beliefs and even penghayat already since the times of any posts after the (history). Pulaki is one lane or door to enter the wilderness that lie behind them, and to get out across the sea in the future. Pulaki is one area that has many sources of water, so it became a village with a large population of thousands of people in that epoch. Then why would the young women leaders Pulaki complement chronicle becomes the main character? There is a dialogue in the fragments of history that we can make the child as the key to unlock this mystery Pulaki. Dialogue is more or less can dibahasakan like this. Dang Hyang Duhai MPU, the servant to please gift before Excellency father. Now the servant kesunyataan want, so it was not seen by everyone, which caused the servant with the faerie. That should be taught to the servants, so that the servants know the fact of life and death . O puteriku, do not worry, listen to what is now ayahanda teach. Next mahapandita teach the teachings of the secret to puterinya. After that gaiblah the daughter, but stays in the Ashram, which was then called Dalem toss. Meanwhile, the daughter called Bathari toss. Thus the dialogue snippets taken from my translation Lontar Dwijendratattwa Fak. Unud literature, Kropak No. 293, 514 Lontar, (Project Depikbud, 1982-3). Relate more fragments of thousands of people in there also with the goal of their digaibkan akan keep the daughter. Along with gaibnya and the daughter of the population, the village that is finally also digaibkan. The village was not visible at all. Seems only wilderness course. That is, after the mahapandita and rombongannya continue to travel towards the east, then the daughter of a prominent object in history eventually become a major figure in the kingdom of wilderness Pulaki with thousands of people invisible (blind) as the people. Such was the story of history preach to us who live in the era of five centuries after that. We may ask, of course, is that story? But the answer may not be true and not true as such. Because the truth of the past such as a newspaper that the longer the out riaknya, the gelombangnya weakened, and many more variations. Especially when events in the history of dibahasakan with a very symbolic and metafori. So its good we go out briefly from the literature, and see what the people as a reaction on the news. During the centuries of course there are those who enter the wilderness Pulaki that. And we do not know exactly what the interactions might occur between people penerobos forest is the kingdom which he said was not visible. That we can know is the newspaper delivered the people, that in the wilderness Pulaki that they see this and witness it. Along with the news brought by the penerobos forest, the fragments Peng-unseen-an village with thousands of the population that is growing from the mouth into folklore. Dituturkan by the people and heard by the people. From story to story is a form of verbal reactions from the community. And not just verbal reactions that actually occur, then the real action happens from the people. They build Pulaki area that has been lost its a holy place. Digeliatkan development since the second decade of the 20th century continue to connect through step-by-step making Pulaki area as the temple can be seen as real current. And the main female character that is in-kan-sthana there. When reading the fragment chronicle, people can still ask, what is news about a daughter who became Bathari toss it? But when people come and sit in the yard toss in the Pura Pulaki, especially if they come from far away, especially if they are seeking something, each will feel that it is not important to ask whether this is correct or not correct. Because there is no difference between such a question with a question whether the self-we ask that this request is correct or not correct there. Both are equally correct.
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